翻译了一个Boris的专辑介绍
欢迎各位喜欢的和不喜欢的板儿砖赐教
下次是Boris乐队介绍
Boris is a band of Japanese heavy rockers in the vein of Melvins . They debuted with Absolutego (Fangs Anal Satan, 1996 - Southern Lord, 2004), which contains one 65-minute piece of lengthy, obscure and extremely dense drones, a close relative of Sleep, straddling the line between psychedelic rock and heavy metal.
欢迎各位喜欢的和不喜欢的板儿砖赐教
下次是Boris乐队介绍
Boris is a band of Japanese heavy rockers in the vein of Melvins . They debuted with Absolutego (Fangs Anal Satan, 1996 - Southern Lord, 2004), which contains one 65-minute piece of lengthy, obscure and extremely dense drones, a close relative of Sleep, straddling the line between psychedelic rock and heavy metal.
Boris 是一支深受Melvins影响的重型日本乐队。他们第一张作品名为Absolutego,里面只有一首长达65分钟、极端晦涩、充斥着嘤嗡之声、让人几近入睡的作品，整体风格摇摆于迷幻摇滚和重金属之间。
After the split album Boris/Abones (Fangs Anal Satan, 1997) and Black - Implication Flooding (Inoxia, 1998), a collaboration with Keiji Haino (on guitar, vocals, "wave drum", "electronic sruthibox", "ethnic oboe"), they released another terrifying monolith, Amplifier Worship (Mangrove, 1998 - Southern Lord, 2003), grounded in heavy grooves and wah-wah distortion.
1997年的合集Boris/Abones之后，Boris与Keiji Haino（灰野敬二）合作了Black-Implication Flooding，1998年Boris发行了另外一张惊世骇俗的作品Amplifier Worship,该作品充斥着厚重与失真的氛围。
Two long Boris tracks also appear on the split album with Choukoku no Niwa More Echoes Touching Air Landscape (Inoxia, 1999).
1999年两首长作也出现在与Choukoku no Niwa的合集More Echoes Touching Air Landscape中。
The semi-acoustic Flood (MIDI Creative, 2001), a 70-minute piece, was almost new-age music for their standards.
2001年在MIDI Creative旗下发行的同期原声录音作品 Flood（70分钟长）安他们的标准这几乎是new-age音乐。
With Heavy Rocks (Fangs Anal Satan, 2002) they mostly abandoned the Melvins' super-doom metal (Heavy Friends is the notable exception) and embraced "stoner rock" (Soft Edge, Death Valley) with many references to American garage-rock of the 1960s (1970, Korosu, Dyna-Soar, Rattlesnake).
2002年在Fangs Anal Satan旗下发行的Heavy Rocks中，他们抛弃了Melvins式的厄运金属（Heavy Friends是个明显的例外）转而投向stoner rock（Soft Edge，Death Balley），并且大量借鉴了美国60年代的车库摇滚。
Megatone (Inoxia, 2002) is a doom/ambient collaboration with Merzbow's Masami Akita, and one of their most intimidating works.
2002年Inoxia旗下发行的Magatone由Boris与Merzbow的Masami Akita合作完成，合集中充斥着厄运与氛围气息，这是他们最吓人的作品之一。
The six song mini-album Akuma No Uta (DIW Phalanx, 2003) features the ebullient title-track.
2003年DIW Phalanx旗下发行的六首歌迷你专辑Akuma No Uta，其中专辑同名曲异常猛烈。
At Last - Feedbacker (DIW Phalanx, 2004 - Conspiracy, 2005) is a five-movement symphony that oscillates from dark to gentle to manic to ethereal. The mood excursion is evoked by extreme instrumental gestures. The focus is more on texture than on atmosphere.
Boris在五部分交响作品At Last – Feedbacker中，始终游离于黑暗、文雅、迷幻、漂浮之间，他们用极端的乐器表达引导着音乐气氛的变换。这张作品中，结构代替氛围成为主题。
The three EPs The Thing Which Solomon Overlooked Vol 1-3 (Kult Of Nihilow, 2004-06) and single A Bao A Qu (SuperFi, 2005) offered more soothing droning dirges.
三张EP专辑The Thing Which Solomon Overlooked Vol 1-3以及单曲A Bao A Qu带给听者的更多是嘤嗡低沉单调噪音式的挽歌。
The movie soundtrack Mabuta No Ura (Catune, 2005) is Boris' lightest offering yet. With the exception of a reprise of the single A Bao A Qu, the tracks are relatively harmless sonic meditations that exude a sense of peace rather than the usual stench of hell.
电影原声专辑Mabuta No Ura是boris最为轻快的专辑。除收录先前发行的单曲A Bao A Qu，其他曲目一反平时地狱般的暴烈，取而代之的是平和的气息，形成一种相对舒缓的沉思境界。
Pink (DIWPhalanx, 2005 - Southern Lord, 2006) sounds like their garage-rock album, rough and hysterical where previous ones were monster tidal waves of dark sound. Most of the pieces are (unusually) short and focused, and ranging over a broad spectrum of styles. However, the 18-minute Just Abandoned My-Self (half of which is pure feedback) is one of their most emotional achievements.
Pink是boris 2005年的一张车库摇滚专辑，风格如之前作品一样粗暴、歇斯底里，给听者又一波黑暗浪潮的洗礼。其中大部分作品异乎寻常的短小、精炼，涉及多种风格。18分钟长的曲目“抛弃自我”（作品的一半是回授）是他们最具情绪的作品之一。
Sun Baked Snow Cave (Hydra Head, 2005) is a collaboration with Merzbow, that repeats the monolith of fear that was Megatone. 04092001 (Inoxia, 2005) is another collaboration between the two, but the sound is much more lively, a sort of psychedelic freak-out.
2005年boris与Merzbow合作了Sun Baked Snow Cave，这张专辑重复了Megatone中鸿篇巨制的恐惧感。04092001是二者05年又一次合作，然而这次声音变得异常鲜活，蕴含着一种迷狂。
The double-CD Dronevil Final (Misanthropic Agenda, 2005 - Inoxia, 2006) consists of two discs that are supposed to be played simultaneously on two systems. One is the soft, ambient droning version of Boris' sound, and the other one is the loud stoned, doom-laden version of Boris's sound. The latter wins thanks to the 21-minute Red. The combination of the two will be heard only by the band's producer. If the album had been released as just one mixed CD, it would probably have been an impressive achievement, as the music of the first one (rather thin in itself) and the music of the second one (rather obnoxious in itself) would probably make for an impressive case of post-industrial counterpoint.
2006年boris发行了双张专辑Dronevil Final，两张CD应该在两个系统中同时播放。一张柔和，属于氛围、嘤嗡单调式的Boris，另外一张噪音，满负着厄运声音的Boris。后者中长达21分钟的Red是一首出彩的作品。两张CD的混合只有乐队的制作人听过。如果把二者合并为一发行，那或许是一次杰作，第一张中的轻柔与第二张的邪恶的混合会成为后工业旋律的经典。
2003年脑浊专辑Turn on the distortion 
